The concept played out as graphic elements on unlikely pieces such as a shawl-collar suit and a matching jacket and shorts set, as well as on sportier items like puffers and hoodies. The 1940s-ish tailoring got the Bad Bunny Christmas Ugly Sweatshirt But I will love this more analog treatments and the streetwear the Twitterstorm of information. The tweets are blurred and glitchy, the obvious message being that we are subject to and serving up distortions and untruths. A trench featuring printed collages of 1980s and ’90s tabloids in a brown, blue, and boysenberry color scheme felt downright wholesome by comparison. Will the system hold? Scott is a dyed-in-the-wool optimist; he finds ways to keep things light even when he’s considering dark themes. The fact that he’s unafraid to face those themes and that he also understands fashion is its own communication tool—that’s what makes him a necessary voice.As fashion weeks and seasons morph into an ongoing year-long fashion event, the barriers between men’s and women’s weeks, couture and ready-to-wear, and physical and virtual are breaking down. The latest change to the always shifting fashion calendar is the addition of three new designers to Paris’s Haute Couture week, planned for January 25 to 28, 2021. In addition to the Chambre Syndicale’s official members, like Chanel, Dior, and Maison Margiela, and its correspondent members including Valentino and Iris Van Herpen, the Parisian calendar will welcome Alber Elbaz’s AZ Factory, Charles de Vilmorin, and Sterling Ruby.
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In the Bad Bunny Christmas Ugly Sweatshirt But I will love this past, brands invited to the official couture schedule, managed by the Fédération de la Haute Couture et de la Mode, have met some of the rigorous standards applied to haute couture. Those include making each garment by hand in an atelier staffed by at least 20 petite mains, and offering the garments directly to clients with at least one personal fitting. But Elbaz, de Vilmorin, and Ruby have potential to shake things up. It’s this holistic approach to guiding and supporting young and emerging businesses that feels particularly impressive, with Williams keenly emphasizing that it’s about longevity more than anything. “Black Ambition is essentially just us building out the tools we’re going to need,” he adds. “We’re going to need to search for the brightest minds and the most creative concepts, and the most fertile ground for that is HBCUs, so that’s part of it. And then, when a prizewinner wins, they don’t just get money towards their business, they’re also getting this amazing mentorship to help set the odds in their favor.”